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Oil Paintings Come From United Kingdom
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Master of the Legend of St. Lucy
(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.

 

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Master of the Legend of St. Lucy Lamentation oil painting

Painting ID::  85899

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Master of the Legend of St. Lucy
Lamentation
Date 1490s Medium Oil on oak panel Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in). cjr
   
   
     

 

 

Master of the Legend of St. Lucy Scene from the St Lucy Legend oil painting

Painting ID::  86205

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Master of the Legend of St. Lucy
Scene from the St Lucy Legend
Date 1480(1480) Medium Oil on wood cjr
   
   
     

 

 

Master of the Legend of St. Lucy Scenes from the Life of St Ursula oil painting

Painting ID::  87835

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Master of the Legend of St. Lucy
Scenes from the Life of St Ursula
second half of 15th century Medium Oil on wood cyf
   
   
     

 

 

Master of the Legend of St. Lucy Virgin and Child with an Angel oil painting

Painting ID::  90006

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Master of the Legend of St. Lucy
Virgin and Child with an Angel
between 1480(1480) and 1500(1500) Medium oil on oak panel cyf
   
   
     

 

 

Master of the Legend of St. Lucy Lamentation oil painting

Painting ID::  90050

X 
 

Master of the Legend of St. Lucy
Lamentation
1490s Medium oil on oak panel Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in). cyf
   
   
     

 

 

Master of the Legend of St. Lucy St Nicholas Altarpiece oil painting

Painting ID::  90051

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Master of the Legend of St. Lucy
St Nicholas Altarpiece
between 1486(1486) and 1493(1493) Medium oil on oak panel Dimensions Height: 101.5 cm (40 in). Width: 81.5 cm (32.1 in). cyf
   
   
     

 

 

Master of the Legend of St. Lucy Scene from the St Lucy Legend oil painting

Painting ID::  90321

X 
 

Master of the Legend of St. Lucy
Scene from the St Lucy Legend
1480(1480) Medium oil on panel cyf
   
   
     

 

 

Master of the Legend of St. Lucy St Veronica with the Sudarium oil painting

Painting ID::  91119

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Master of the Legend of St. Lucy
St Veronica with the Sudarium
between 1480(1480) and 1500(1500) Medium oil on oak panel cyf
   
   
     

 

 

Master of the Legend of St. Lucy Legend of St Lucy oil painting

Painting ID::  92130

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Master of the Legend of St. Lucy
Legend of St Lucy
1480(1480) Medium oil on oak panel Dimensions Height: 79 cm (31.1 in). Width: 183 cm (72 in). cyf
   
   
     

 

 

Master of the Legend of St. Lucy Mary, Queen of Heaven oil painting

Painting ID::  92367

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Master of the Legend of St. Lucy
Mary, Queen of Heaven
Date c. 1485-1500 Medium oil on panel Dimensions 199.2 X 161.8 cm (78.4 X 63.7 in) TTD
   
   
     

 

 

Master of the Legend of St. Lucy De liefdadigheid van de H. Nicolaas als jongeman. oil painting

Painting ID::  92884

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Master of the Legend of St. Lucy
De liefdadigheid van de H. Nicolaas als jongeman.
1486-1493 Medium oil on oak panel Dimensions 47 X 54.3 cm (18.5 X 21.4 in) cjr
   
   
     

 

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Master of the Legend of St. Lucy
(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.